In turn, within the framework of special sections, a set of films that address the problem of housi

The show dedicated to cinema and the cities will run from 5 to 11 September 2013. From Thursday 5th to Wednesday 11 September, the first edition of Cities Revealed International Film Festival and City will develop. With free admission projections can be seen at the Cinema yuotube Gaumont, the Cultural Center of Cooperation yuotube Floreal Gorini and Cultural Centre yuotube of Memory Haroldo Conti (former ESMA) in Buenos Aires.
Over a week, Cities Revealed intends to make visible and share the thematic, narrative and political pursuits that cities inspire and become flesh in this selection of audiovisual works from different countries. Many of these films were not released in Argentina, which makes Revealed in a proposal presented new looks around where live urban fiction, documentary and experimental films Cities.
Programming consists of a selection of lengths, Media and Films (result of an international open call in which more than 25 countries); sections: Berlin, city focus, Panorama Brasil; Apart from the city. Housing in Chile and a number of Special Activities: Silent Film with live music a Photographic yuotube Group Show "Reveal your city" and Projections table discussion yuotube and talk with directors.
Among the films that make up the selection of long and medium-length-which were not released in our country are: The Golden Temple. Regeneration of East London Olympic Enrico yuotube Masi (Friday 06 / 19.30hs / Gaumont), the Chilean Roberto Invunches Aschieri (Tuesday 10 / 15hs / Gaumont) and stories about the future of Pachi Bustos (Wednesday 11 / 19hs / CCC), the Brazilian Letters to Angola Coraci Ruiz and Julio Matos (Monday, yuotube 9 / 20.30hs / CCC); Balança more não cai Leonardo Barcelos (martes10 / 19.30hs / Gaumont) No nem tudo é founded memory of Carlos Segundo (Monday, 9/1930 yuotube hs / Gaumont) and Argentina Casas, the machine for living Marine Pessah (Wednesday 11 / 19.30 / Gaumont).
Cities Revealed also represents yuotube a good opportunity to see again on the big screen a number of Argentine productions of the last three years addressing urban issues: Martin M. The Crowd Oesterheld (Friday 6 / 19hs / CCM Haroldo Conti), Center Sebastián Martínez yuotube (Sunday 08 / 17hs / CCM Haroldo Conti), Lisandro Errantes Ursi and Diego González Carabelli yuotube (Tuesday 10 / 20.40hs / CCC), Latino Skyscraper Sebastian Shindel (Tuesday 10 / 18hrs / CCC) and the recently awarded Alejandra Street yuotube Years Grinschpun (Sunday, 8 / 19.30 / Gaumont). All these projections will feature its directors yuotube for an exchange with the public. yuotube
In this first edition, Cities Revealed puts the focus on the city of Berlin as a way to honor the long tradition that this city has in film city. The urban and the seventh art and enhance interpellate from a city marked by as few imprints of historical processes. In this sense the program features works recently exhibited yuotube in Argentina: Radfahrer (The rider) Marc Thümmler yuotube (Fri 6 / 19.30 / Gaumont), This Is not California (This is not California) Persiel Marten (Monday 09/19 hs / CCC), Berlin Babylon yuotube Hubertus Siegert (Wednesday 11 / 15hs / Gaumont), among others.
Berlin, Symphony of a Great City by Walter Ruttman (1927 / Germany): Speaking of focus dedicated to Berlin, and among the special activities of the sample projection of a classic silent film and one of the most influential urban symphonies stands . This projection, jointly organized by the Goethe-Institut, will be accompanied by live music composed and performed by Marcelo Katz Trio Dumb by Celluloid (Fri 6/21 pm / CCM Haroldo Conti).
In turn, within the framework of special sections, a set of films that address the problem of housing in Chile, gathered in a section called Beyond the city is presented. Housing in Chile. With unpublished material, yuotube this section takes center stage on the closing yuotube of the Exhibition: A September 11th 40 anniversary of the coup that overthrew the government of Salvador Allende. On that date, Cities Revealed presented a collection that brings rescue short film in 16 mm made between 1957 and 1977, available on DVD from the Catholic University of Chile: Here is constructed (1977) Chilean director Ingacio Agüero; Camp Rising Sun ( 1972) by Ignacio Aliaga R. The mushrooms and (1957) by Rafael Sánchez SJ Also, in order to establish a thematic yuotube dialogue between past and present, works produced by young filmmakers will be screened in the country: the recently released in Chile, yuotube stories about the future (2012) Pachi Bustos and 74 square meters (2012) and Castillo Paola Tiziana Panizza (Wednesday 11/19 hours /

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European Film Festival in Seville 2013 (I)
You start out less and you'll buy a set of teacups. But first, be sure to read all this.
Festival begins. Cero Clouds and rain, moderate cool. Excited to see that this year there were so many depressing films (last began with a Romanian divorce and ended up with 'Amour'). Good company and good movie a good movie: After several changes in my programming a promising start to come. '3 X 3D 'unbearable folly filmmaker
Focusing miniclip on the two thousand year old city of Guimarães three renowned directors, Jean-Luc Godard, Peter Greenaway and Edgar Pera, explore 3D and developments in the world of cinema. How does the 3D to the public and their perceptions? (PRO)
Greenaway: Flat sequence that serves as tour guide of the Old Town of the city of Guimarães. Review their artists, religious influences, emaciated acts on their behalf, notable miniclip thinkers ... game overlays, transitions through lights, changes in the graphical representation of the scenario (transparencies, aging). A staging too reminiscent of those made adventure games FMV. Many precious, nice, but nothing that says "this miniclip piece is Greenaway" technique.
Pera: deify the world of movies to the point that they retaliate against us, but getting into ours through a catalyst defies human logic to the point ... The viewer is bewildered and we (the filmmakers) miniclip see them (with pain) how wrong they were. Blahblahblah. To make matters worse, willful, 3D has the worst of all.
Godard: through sound and montage is played with our expectations. What we expect to see and for how long. Planning a false suspense about his name. While Schopenhauerian jingles sound background to the existence and memory. It was quickly noted that the sensationalism shown exhausts the creator. Odia 3D, does not like this "new" technique. miniclip And this used to indoctrinate miniclip thought. Another. The cry of a baby boy.
Working in the beloved can be a deceptive trap. The professionalization require sacrifice, and even the most hardened man has a heart. Gilderoy, reputed boss audio documentary travels to Italy to work as background music one giallo film director Santini. The events that occur will discover the atmosphere of stale work surrounding the film. Such pressure and the type of film that will peaceful our soundman to unfold to lose their sense of identity.
The sound engine is the narrative of the film. The poster of "Silenzio" reminds us. The terror of falling into it is continuous, since tapes can not be unfilled. It is a time trial in the post-production miniclip of a film career. So scruples cast them out of the studio. Brilliant staging and photography focused on the organic to the point that the medium allows us and suggesting what we can not see: the film that are sound for. The secrecy reinforces the atmosphere that sometimes falters due to the tendency of the writer to plagarla purely Mediterranean moments: humor gives sometimes sneaks disgust and other wrong place. Tribute to giallo and sound, of great value in terms of its concept and execution, but as drama leaves something to be desired, as it's looking mood a credible progression conflicts of the characters. We can hear ghosts.
Berberian Sound Studio, maybe it was because I was not expecting miniclip much from it but I loved the movie "Sound Effects" as a driver, you wrap, advance the story, you have things scare you or disturb you, always sounds you heard but look new. Cojonuda.
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In an effort to bring the Brazilian filmic culture to students in the School of Higher Studies Acatlán, Centro Cultural Brasil-Mexico will hold the traveling film series "Brazil Mambembe", karaoke so, the Department of Portuguese and the Center Portuguese Language "Camões Institute and da da Cooperação LÃngua" make a cordial invitation to the university community to attend the screening of the film:
Synopsis: Hermila (Hermila Guedes), tem 21 years, Nasceu e foi na cidade Iguatu small maid, Ceará, na Região Nordeste do Brasil. Pregnant, life tempts em São Paulo com or namorado. Depois months não conseguindo emprego, porém, volta à cidade natal. Wait for um namorado mês or do return, karaoke pai da criança that some, sem deixar tracks. Ao foi perceber that abandoned resolve mais uma fugir ez daquele place desta more time for or Rio Grande do Sul, maybe onde existam melhores condições. Sem dinheiro for a viagem, ela adota or pseudonym Suely, and resolve próprio raffle or corpo da cidade homems between you. O winner Terah or ela defines "Uma Noite no Paradise." Sua atitude gera muita controversy between or local povo, and mainly between sua family. Enquanto raffle or prizes não sai da, ela ainda tem uma questão to end badly-resolvida com um ex-namorado teens.
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In the favela, in the 70

Filed under: Cities of the World, Right to the City, Public Space, Urban Expansion, Latin America, World, Urban Regeneration, movies, favelas, swefilmer community organizations, rio de janeiro, society
Sample life from within a Brazilian favela, the City of God, in the 60s and 70s. The protagonist, a young man with an interest in photography, is one of the few in history that stays out of the gang activity in the neighborhood.
During the first film, dated 60, the setting is a dusty village on the outskirts of Rio de Janeiro. The film is narrated in first person by Rocket, a little boy of the favela, and from stresses principle is known throughout the whole film, implicitly: the government and the rich do not care about the problems of the favela .
In the City of God, despite its heavenly name, no electricity and no paved roads, and yet being populated area will more each day. And the gang is a phenomenon that the group sees small central characters emerge and becomes part firsthand, throughout his life.
"If you run you get caught, and if you do not run well," is the judgment of Rocket. No matter what you do, in a neighborhood so there is no way not to be somehow involved in gangs. This internal view of life in the slums is different than can be viewed from outside, in other films that show, for example, other social values as the rest of the city has with the group that is in the slums. Unlike, for example, the film we reviewed a while ago, District 9, facts do not appear here as discrimination, social rejection or segregation. The City of God is "everyone" in this film, you live here, die here.
Raw crime, swefilmer on the other hand, seems to have no consequences for gang leaders, swefilmer things just happen, Daditos climbs the criminal ladder, kill, earn money, and there are no ratings for this, except for some intervention in the story first person protagonist.
The police presence is a fact repeated in the film, which most of the times shown ineffective to the extent of violence in the population. swefilmer Maybe that's why, recently and over the last few years, security forces intervened and the favelas by large-scale armored equipment, large numbers of uniformed and maintain constant vigilance to curb escalating trafficking and violence .
In the favela, in the 70's apartment buildings and pavement, but the place is still displayed as full of neglected houses, facades gnawed by time, vacant sites, a devalued neighborhood environment. Green areas do not exist, or common open spaces.
Some of that landscape has changed since the 80s, as have slowly been emerging community organizations working to reduce the rates of social risk in the population. swefilmer In 2003, the Community Advisory Board of the City of God, seeking to bring together local organizations to combat stigma and social isolation was formed.
8:26 a.m. Oct 4th
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"The swefilmer Petropolis of Tomorrow" Edited by: Neeraj Bhatia Casper and Mary Author: Various swefilmer Authors Language: English ISBN: 978-0-989331-7-84 swefilmer Year: 2013 Where to find it: In this Amazon link About the Book: The cities of morning that the book studies swefilmer are those that have been formed from resource extraction, called Petropolis. The Petropolis of Tomorrow project, created by the University of [...]
"Urban Hopes - Made in China by Steven Holl" Edited by Lars Müller Publishers Author: Christoph a. Kumpusch Language: swefilmer English ISBN: 978-3-03778-376-4 Year: 2013 Where to find it: In this link Lars Müller Publishers About the Book: The rapid urbanization that has occurred in China has revealed the trends that exist between architects and planners of the world to carry out this [...]
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A sea of people invaded the land of Anita Nobody doubt. The biggest and best New Year

City Project rediscovered - Looking inside the Cine Mussi: Second investigation into the work | Journal Laguna | This is our
A sea of people invaded the land of Anita Nobody doubt. The biggest and best New Year's Eve of all time in Laguna, happened this week, attended by a record crowd of 300,000 ... Read Full Article ...
In our column of November, we talked a little about the history of the building of Cine Mussi and its rehabilitation and restoration project started in 2011 with an expected completion in the first half of 2014. Commented that, by its outward appearance, the work gives the impression of being walked at a slow pace, little seems to have changed in the nearly two years of work. However, to realize what goes in and out of people through the sidings, the students of the second phase of the Architecture and Urbanism of the University of the State of Santa Catarina (UDESC), Beatriz Costa Bergler, Juliane FARENZENA, Kamilla Prestes and Nicole Oliveira of Silva decided to investigate further what happens in this quiet building interiors. The idea of visiting the interior of the Cine Mussi emerged during the study process for the project "Formation of the Look" by the discipline of Socioeconomic and Environmental Studies, taught motherless at the university by Professor Renata Rogowski Pozzo. The project is an initiative that aims to develop the students' perception regarding the daily changes in the urban landscape of Laguna, and includes observation, interviews, photos and weekly reports on the framework motherless chosen in the case of students, a view of the docks in the lagoon toward Cine Mussi, focusing motherless for this building. Following one of the first lessons of urbanism, the students were not satisfied with the apparent monotony of work, curious, decided to enter. The images that readers will follow from here, is the result of this investigation inside the cinema. The visit of the students to the work took place in November 2013 and was kindly accompanied by engineer Mario Jorge, who explained its structure and its progress. The project being executed covers several important factors such as, for example, the issue of accessibility. There is the difficulty that the restoration is faithful to the original material, knowing that many no longer exist, since the construction of the building dates from the late 1940s.
FACADE: motherless Mario explains that the facades are still virtually motherless unchanged motherless due to a complex research being conducted on the technique to the plaster motherless composition, aiming to achieve the same texture, color and appearance. CHAIRS: Chairs, which were completely removed, motherless will be partly replaced in the rehabilitated building an internal, dedicated to the memory motherless space Cine Mussi. Another portion was donated to audiences in the region. WINDOWS: The shutters of external windows were removed, which revealed motherless a wall of exposed concrete. Many people commented that the windows were closed during retirement, when in fact they have always been thus: the openings were part of the aesthetic composition of the facade. Stained glass: The windows will be restored, and lost parts will be replaced by other similar being sought in an attempt to let them similar to the original state. PROJECTION ROOM: The projection room and the central power will be kept in the same place. Our project is ending its first year of activities very pleased with the findings and actions related to movies made in the city. We will pause with the materials motherless in JL, but returned in March with more reports of our way to you. "The film has no borders or boundaries. It's a constant stream of dream. " Orson Welles. motherless
Text: Students Beatriz Costa Bergler, Juliana FARENZENA, Kamilla Prestes, Nicole da Silva Oliveira and Professor Renata Rogowski Pozzo. PROJECT CITY REECONTRADA Coordination: Prof.. motherless Renata Rogowski Pozzo. Fellows: Braian Souza Baggio, Camila Marcello, Amanda Dal Molin, Amanda Krieger, Rubens Thiesen, Lais Pina, Rodrigo Amorin, Kamilla Tavares Cardoso Isadora.
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Director: Fernando Meirelles. Co-management: Katia Lund. Screenplay: Bráulio Mantovani. Cast: Alexa

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The film City of God, Fernando Meirelles and Katia Lund, projected on Thursday September 19 in the series '20 years of Latin American cinema'. Latin House presents twenty great films of Latin American cinema, displayed games on your theater games throughout games the last two decades and because of its twentieth anniversary.
Director: Fernando Meirelles. Co-management: Katia Lund. Screenplay: Bráulio Mantovani. Cast: Alexandre Rodrigues, Leandro Firmino, Matheus Nachtergaele, Douglas Silva, Roberta Rodrigues, Jonathan Haagensen, Daniel Zettel, Phellipe Haagensen. Synopsis: Adapted from the novel by Paulo Lins, depicts the growth of organized crime in Cidade de Deus, a violent suburb of Rio de Janeiro, from the late sixties to the early eighties. games The protagonist of the film is this neighborhood, one of the most dangerous games city of Rio. Buscapé The narrator is a young black too fragile and shy to a life of crime but talented enough to succeed as an artist and photographer. We see through his eyes the development of life, fights, love and death of characters whose fates intersect and depart over time.
Date: Thursday September 19, 2013. Time: 19.30. Location: American Cinema. Free admission with limited capacity. Tickets for the free sessions will be distributed, first-served on the day of the projection from 1800.
Director: Fernando Meirelles, Katia Lund. Co-management: Katia Lund. Production: O2 Filmes, Videofilmes. Co: Globo Filmes. Producers: Walter Salles, Andrea Barata Ribeiro, Mauricio Andrade Ramos. Co-producers: Daniel Filho Hank Levine, Marc Beauchamps, Vincent Maraval, Juliette Renaud. Executive games Producer: Walter Salles, Donald Ranvaud. Screenplay: Bráulio Mantovani, games based on the novel by Paulo Lins. Photo: César Charlone. Art Direction: Tulé Peake. Editing: Daniel Rezende. Sound: Guilherme Ayrosa, Paulo Ricardo Nunes, Martin Hernandez. Music: Antonio Pinto, Ed Côrtes. Cast: Alexandre Rodrigues, Leandro Firmino, Matheus Nachtergaele, Douglas Silva, Roberta Rodrigues, Jonathan Haagensen, Daniel Zettel, Phellipe games Haagensen.
Coral Awards for Best Film, Best Male Performance (all actors), games Best Cinematography and Best Editing. International Festival of New Latin American Cinema. Havana, Cuba, 2002.
A friend of mine gave me the Cidade de Deus by Paulo Lins novel with the idea of moving to the movies its six hundred pages. I did not pay attention. I knew the book was the beginning of drug trafficking games in Rio de Janeiro, which was a violent and hopeless games story and unfolding in a favela. I had never taken cocaine and was not interested in the topic. I knew very little about the organization of the favelas and drug trafficking and would not leave my family in São Paolo to go shoot a movie in Rio.
I decided to read the book anyway because I was intrigued by the good reviews it had received. On page one hundred and he agreed games with my friend that it was a very interesting story. From page two hundred began to emphasize a word here, some there. At the end of the novel was written on the back cover a complete list of locations and notes on characters and felt fully involved in the project. I am aware that I never took the decision to adapt the book. It was the same book that kidnapped me, demanding to be adapted to film.
Reading the book was a revelation, the revelation of the other side of my country. Of course I had read books and articles about the favelas and drug trafficking, and thought he knew something about the social apartheid that exists in Brazil, but the book goes much further and turned upside down vision of this particular universe. The author, Paulo Lins, grew up in the favela of Cidade de Deus and practically wrote the novel pass before seeing his window to the characters. The litany of names of young men killed in the prime of life, and how to accept the reality of violence, was what impressed me and what prompted me to make the film. A sixteen-year-old knows that it's been the best years of your life and hopefully survive three or four. He knows he will die soon and accept death as something inevitable. The loss of life is the central theme of the story.
Born in São Paolo in 1955, he started producing experimental videos with a group of friends while studying architecture at the

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CASINO (not display Monday and Tuesday)
Posted by Cine Dunes at 17:58
To join please contact by phone or in person at the cinema itself for more information.
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