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Light over Linnemann / Annegret Friedrichsen and Johan de Mylius (ed.) / 251 pages publisher multiverse. ISBN 978-87-7917-382-9 Reviewed 4/6 2014 20:36 by Hans Christian Davidsen New life for Linnemann New life for Linnemann Back
Light over Linnemann is the well-chosen title on a new and tiltrngt book on the South Schleswig probably biggest Danish-language writer through time: Willy-August Linnemann (1914-1985). Behind live tv the alliteration and a photo that play on the title, hiding the fact that Willy-August Linnemann's get a little forgotten. In any case, his place in the history of Danish literature not as prominent. In the latest edition of Danish poets of the 20th century (2000), Willy-August Linnemann not nvnt, and the Danish literary history (2006) before he just a dozen lines of skinny publicity. And it may seem surprising. There are also modestrmninger, when it comes to literature. It is not everything live tv lasts forever. But have Linnemann really deserved a page anonymously live tv eftermle? He received both Critics, booksellers Golden Laurbr and Holberg Medal. You come to think that things that those who are celebrated today, quickly can rest forgotten tomorrow. All the more justified is the biography of the author, overstteren and research librarian Annegret Friedrichsen edited in collaboration with Professor Johan de Mylius, who is best known for his HCA research. Annegret Friedrichsen is sydslesviger, like Willy-August Linnemann was it. 100 Law of Linnemanns fdsel The anthology is divided live tv into four thematic parts: 1. Linnemanns life and the finished work. 2. Genlsning of authorship large series. 3. Reduction in the individual volumes in the series Europafortllinger. 4. The early works of art and Linnemanns rejsedagbger. The formal purpose of the book is that it s been 100 years ago, he came into the world on Harreslevmark at Flensburg. His mother had roots in North Schleswig, which Linnemann had dense connections to the family. The father had a German background, live tv but attended from Flensburg, which - as Linnemann somewhere finds in his writing - could speak four languages on the street, but s all understood each other. Willy-August Linnemann came on Duborg-school, fr it was possible to become a student at the school. Therefore mtte he Vestjysk Gymnasium Tarm in order to get a Danish high school diploma. Later he was a pupil p Askov Hjskole. The studies on University of Copenhagen, it was also, even if the tutorials took over. In 1939 he got his novel debut with the song about the bright ntter. Linnemann was a Danish citizen and mdte in Copenhagen later his wife, Lisbeth. She was hired as a bilingual secretary in the Danish Foreign Service, and it gave the couple a chance for a lengthy stay in the South. From Spain, Italy and Grkenland Linnemann wrote over a hundred travel articles to first and foremost Berlingske Tidende. It was also in southern Europe, he conceived the idea for hovedvrket to the five volumes in hovedvrket Europafortllinger, live tv which appeared from 1958 to 1966. The operation was delegated to the bilingual and multicultural Danish-German live tv grnseland. Europafortllinger live tv who also has assembly titled book about the hidden live tv face, is about a bunch of people during World War II, through live tv a longer period live tv of time almost every night SGER refuge in a shelter in an unnamed port city in northern Germany. It can almost live tv not VRE places other than home town of Flensburg. In the long ntter where air alarm sounds, and the destruction lurking, shortens live tv the time to tell stories to each other. In the beginning, there is little sammenhng between live tv the stories, but it turns out that they have a mutual respect. As time goes by, and fortllingerne evolve, they form a tt sammenvvet mnster where one story expands and complements the other, and where more or less shared gallery evolves and expands connections and relationships between the individuals and their individual alike as sammenvvede skbner. The same episode fortlles often several times from different people's point of view. Convinced europer Linnemann was convinced live tv europer and the Euro whips fllesmarked. Not without to be so in opposition to strmningerne within minorities, as Annegret Friedrichsen notes in his fine review of Linnemanns life and the finished work. Here comprehend lseren really that Linnemann also may have relevance today. live tv Not only for its forward-thinking approach live tv to the euro whips, but also for its roots in the traditional regional and its emphasis on multiculturalism as a possibility. Linnemann was local and global live tv (in euros whip perspective). But
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